Kantha has me IN STITCHES...all unfinished

    Simplify is my temporary mantra! In the car on trips or errands, I love to hand-stitch while Joe drives ~ from improvisation to Sashiko (see my April 22, 2012 post). Friend Donna Jean spent time at Quilting on the Lake and returned with ideas on Kantha stitchery from South Asia and Black Embroidery of Elizabethan times. I had to try my hand. When I could not do a stitch, I tried another. You could draw with white pencil, but inventing was more fun. I felt creative! Everyone feels they can do Kantha. Up and down with a needle and thread. I sew with two fabrics together.

    From pockets to pocket books! What to keep my needle, thread and scissors in on a trip for easy access? I happened on Abigail Adams' pockets at the RISD Museum in Rhode Island. I took this photo and sketched a similar pattern about 14" long. These pockets were worn inside and outside skirts. I don't have to unzip  or unsnap anything, and the pocket holds my tools and fabric as I run out the door, am in the car or at a meeting. I used an upholstery remnant, crewel needle and #5 or #8 thread. I am regularly amazed these days that what excites me is of little interest to others; but I wanted to share. At least Hannah (10) wanted the floral effort, and Erika (8) started on skeletons.

     While in NYC last week, we saw the fabulous Matisse Cut-out show. I had, just before leaving, spontaneously cut out fabric for a Boston slice quilt (that is as far as I got)...now what to do? Fix the goose's head for one. I just read in my novel about "coincidence's being a messenger of truth." And again...in NJ we saw Yvonne Well's contemporary narrative quilt cut-outs at the Montclair Art Museum, a magnetic board of fabrics for children/adults to make and quilt and Rayna Gillman. That is half the story, a wonderful experience. I am not mentioning Shiele portraits, The Boys in the Boat, the New Haven museums, Roz Chast in Greenwich, CT. Click on photos to enlarge.

   

Yvonne Wells'

A Winter Snow Story, and some 12 x 12 quilts

    1. It snowed, snowed, and rained. There was more snow and the tree branches held the snow. Again, more snow, bigger snow, more layers. Finally, the biggest snowdrops of all. I re-read Rayna Gillman's book, but this quilt should not reflect on her. These are my first strips, a story which I sewed while listening to NPR. I painted snowdrops on the trees with Jacquard Super Opague White 220 OP. French knots may have been more appropriate. Black fleece doubles as batting and backing. I quilted in the ditch and on some of the branches. Snuggly, but how to show the snow cone tops on all the bushes.

   2.  The birds in the front of the house were making such a mess, like a copy of a Pollack painting;  so we moved the feeder to the back yard. It was not easy for the feathered ones to find their way west. I quilted an arrow. This was definitely a journal quilt...a memory of a special event. I could still paint some shading or use netting to shadow a side of the bird feeder. Beeds are the seeds flying everywhere.

 
     3. Trying to use up my stash, I had earlier tried a blue quilt that almost made me give up quilting. Jo Diggs uses dots so much better. I learned that it is probably good to join pop or graphic fabrics with each other and realistic prints together, but not to mix the two. I read that one should think about what one likes in a quilt to know what to do to yours. I like hand stitching, but it didn't save this piece.

     4. and 5.  Then there are the two quilts that really needed help. Winter Palette with padded paints needs a brush as well as a photographer; and Erika's 8th soft birthday card needs a redo. But both are ok and were part of the process. You win some and lose some. Click to enlarge photos.

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