After purchasing my wax and clay, armature wire and a book, I couldn't decide what to sculpt. Finally, I cut off some wax with a paring knife, heated a chunk with my hair drier, squeezed and molded the wax in the palm of my hand. At first I modeled a small bowl in wax. I waited a few days, heated the wax again and the shape of a head with a lump of hair appeared. It made me think of a photo of Hannah on the sofa in NYC reading a book...something I always wanted to paint. So, I sculpted Hannah Reading in wax. I think it might have been better if I made the body first and then placed Hannah face down on the "sofa." It is in a simple rough form and that is enough for me.
Working with wax on my mahogany vanity table was a bit messy, so I looked in the basement for some scrap wood. I liked the contrast of the light wood and the dark figure. I thought, "Ah, I would like to create each of the grandchildren in a typical pose on pine." I chose a more challenging pose for Erika.One can see why Degas liked models and armature. I had to pull off arms and legs and the head for Erika, reassembling once I started looking at a photo.
I think I will reuse this wax to make Erika in a different pose, where the gymnast is standing on her hands. This will surely require wire. I made a quick sketch below. Hannah was a two-hour effort.Since Erika keeps falling apart, she is an ongoing project.
Of course modeling in wax has me interested in the new book out about Degas' dancer Marie: Little Dancer Aged Fourteen by Camille Laurens and Willard Wood. When I went to look it up I found another book published by Yale Press by an instructor I had in London so I ordered a used copy of that. Mother had a large statue of the Little Dancer. I wonder what happened to it. On to read these two books.I loved ballet.Position four?